Juror’s Comments
My first thoughts on entering the Vertigo Gallery to select a member’s exhibit from the collected entries were, “Good! There is lot of art work here.” And, “Great! It’s all over the map.”
The enthusiastic responses to the call to artists, and the variety of those responses, were welcome signs that visual arts are alive and well in this region. Although I knew I would soon have to make some difficult decisions in assembling the exhibition, I felt confident that the overall expression of the works would reflect the diversity and vitality of the local art scene.
One characteristic of human nature is that we see the world from an individual perspective, which is coloured by our own experiences, and which reflects our own particular biases. Unfortunately, this applies to art jurors as well. Yet while my own preferences did affect my choices, I found myself relying on something else as well - the relationship of the individual works to each other. While art speaks to us on an individual basis, a room full of drawings, paintings, sculptures, and photos also has a collective voice. Some of the art here was chosen over other, equally interesting pieces because it contributed significantly to the overall expression of this exhibit.
The diversity shown in these works is a reflection of the vast and varied experiences of the artists involved. The landscapes, portraits and other works in traditional media are enriched by the presence of completely different approaches to art making. Colleen Couves’ humorous found object installation of cows adds an agricultural flavour to the combined picture created by regional landscape paintings. Likewise, The strong abstract expressionist paintings here are further enhanced by similar works in coloured cloth and wool. Katalin Gardiner’s fiber artwork “”Unzippered” and Angelika Jaeger’s painting “Pink Is Not My Colour” both use non-objective forms and bright colours to create a sense of motion and a range of expressions. The vibrancy of life comes across in different ways, partly because of the medium used. Works that involve both photographic image and text expand the experiences of those who take time to ‘read’ them in different ways.
Whether the art you see here delights or challenges you I hope you have time to spend with it all, and find yourself inspired by the creative energy that abounds in this region.
Jim Kalnin
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Curriculum Vitae:
Exhibitions:
2007 Bliss Bakery, Peachland
2006 Artwalk, Lake Country
2005-8 Peachland Little Schoolhouse
2004-7 solo shows under the sponsorship of
Kelowna and District Arts Council, at Westbankand Kelowna
Libraries, Cottonwoods Centre, Kelowna Community Theatre
2003,4 ‘Conversations in Landscape’ a time-lapse series of landscape sketches, shown in Alternator Gallery Kelowna, and
Gallery Vertigo Vernon.
1978 an invited participant at 'Science in Art in Science' Ottawa.
1972,8 solo shows at Wells Gallery, Ottawa
1973 ‘Three Almonte Artists' - a joint exhibition
with Juan Geuer and Madeleine Moir
1970 two person show at Gallery One, Portsmouth, NH.
with NH artist Jane Kaufmann.
Works Displayed:
2006-8 Art Ark, Kelowna
2005-8 member’s shows, Kelowna Art Gallery
2005,8 juried Spring show, Vertigo Gallery, Vernon
2004-8 members’ shows, Vertigo Gallery, Vernon
2001-7 members’ shows, Alternator Gallery, Kelowna.
1975 'Survey Exhibition No. 1' - Visual Arts Ottawa
1972-3 Art lending, AGO, Toronto
1972 'Kingston Spring Exhibition', Agnes Etherington Art Centre, Kingston, Ont.
1970 New England Center for Continuing Education, Durham, NH
1968-70 New Hampshire Art Association Gallery, Manchester, NH.
Related Activities:
2005-8 – instructed artists’ workshops, conducted demonstrations, Peachland
2006,7 – 3 banners, for Peachland artists’ series of banners.
2007 – commissioned Artisan Series Wine Label (Prospect Winery- Pinot Grigio)
Collections:
Work in collections in New Hampshire, Ontario, Calgary, Vancouver, Victoria, and the Okanagan. Currently represented by Art Ark, Kelowna, B.C. |
Artist Statement:
When we are in a place, we see not continuously, or all at once, but by glimpses, and our impression of that place is built up, glimpse by glimpse, into a collection of images that our mind organizes into one experience. In painting landscape, I seek to convey the message of the land, the story that it tells us. So I decided to depict landscape as a series of ‘glimpses’, little bits that together tell the story. Nine was used, because it is large enough to allow enough variation to cover most of what was there in the larger landscape, and because it is small enough to permit one to see each glimpse for itself without missing the rest. Together these glimpses put us in the landscape, allowing us to re-experience the time when we were there. Hopefully these experiences of mine will be yours also. (Jenkins)
Biography:
Born Vernon, BC, I attended schools in Vancouver, Trail, and North Vancouver, then UBC and U of Calgary graduating with a doctorate in Cosmic Ray Physics in 1966. Throughout my growing up, I had always drawn and painted, and, although I had chosen to follow my scientific side in my professional career, art remained a strong interest. I began painting seriously with oil paintings of landscape, mostly, but with my move to the New England area and exposure to the New York art scene, gradually shifted to large minimalist geometric shaped canvases, and acrylic colour stains. I continued in this vein when I moved back to Canada (Ottawa) to commence a career as a radio communications scientist with the federal government. A number of exhibitions later, with the pressures of career and a young family, my painting was put on hold - I did not have the time or energy to do it all. Since retirement, I have been able to restart my artistic endeavors from a very different perspective. I enjoy hiking in the mountains, and began by drawing the things that I saw. The earlier, abstract works reflected an inner sense of order and harmony; my present work in landscape is intended to celebrate the 'not always orderly' message of nature. My scientific background continues to inform my art, and I strive toward integrating my scientific and artistic impulses in my work. (Jenkins)
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